Автор
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Тема: Mouse on Mars (Просмотрено 2860 раз)
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Third Kiss
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Мыши ахуенны, выкладывайте релизы, и снесите понос сверху топика
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Palanik
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Mouse on Mars - Parastrophics
Artist: Mouse on Mars
Title: Parastrophics
Label: Monkeytown Records
Quality: CBR 320 kbps
Encoder: LAME 3.99r
Size: 107,10 mb
Play Time: 00:46:19 min
Tracklist:
01. The Beach Stop
02. Chordblocker, Cinnamon Toasted
03. Metrotopy
04. Wienuss
05. They Know Your Name
06. Syncropticians
07. Cricket
08. Imatch
09. Polaroyced
10. Gearknot Cherry
11. Bruised To Imwimper
12. Baku Hipster
13. Seaqz
iFolder.ru
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Palanik
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Mouse on Mars - WOW [2012]
Исполнитель: Mouse on Mars
Альбом: WOW
Год выпуска: 2012
Страна: Germany
Жанр: Abstract / Ambient / Experimental / IDM
Качество: mp3 VBR V0 / mp3 CBR 320kbps
Размер: 62 Mb / 76 Mb
Треклист:
01. SOS
02. DOG
03. HYM
04. VAX
05. PUN
06. BSD
07. ACD
08. APE
09. CAN
10. ESO
11. SUN
12. WOC
13. CATWOW is an album by German electronica group Mouse on Mars. It is due to be released on 2 November 2012 on Modeselektor's Monkeytown Records.
According to its press release, the album was recorded within "just a few weeks" and will offer a more "club-oriented counterpoint to [their previous album] Parastrophics, with excursions into acid and bass music among other styles".
The album will mark their first recorded collaboration with the vocalist Dao Anh Khanh, producer Eric D. Clarke and the punk band, Las Kellies. |
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mp3 VBR V0
mp3 CBR 320 kbps
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Third Kiss
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Хороши черти, всё булькает, шипит, скрипит, повсюду фирменные мышиные гармонии, местами видна призма дабстепа - но это скорее издёвка, чем коммерческий ход. пока на 6-м трэке, чётко и ахуенно
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Fate
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Mouse On Mars - Dimensional People (2018)
1. Dimensional People Part I
2. Dimensional People Part II
3. Dimensional People Part III
4. Foul Mouth 03:10
5. Aviation
6. Parliament Of Aliens Part I
7. Daylight
8. Tear To My Eye
9. Parliament Of Aliens Part II
10. Parliament Of Aliens Part III
11. Résumé
12. Sidney In A Cup
СКАЧАТЬМП3
"The new album finds the Berlin-based duo reunited with Thrill Jockey, a powerful aesthetic partnership marked by such seminal albums as Radical Connector (2004), Idiology (2001), and Niun Niggung (2000). After a series of notorious dance floor releases, Dimensional People reveals them working deep within their own vernacular, digging into fertile terrain of their inexhaustible vault of digital and acoustic experimentation, and charismatically making elemental components new again. This album makes clear how their craft is of discovery, of finding new contexts for places, sounds, memories, sensations, ambiences, technologies, relationships, and of course, people.
A number of prolific guests joined the production: Justin Vernon (Bon Iver), Zach Condon (Beirut), Spank Rock, Aaron and Bryce Dessner (The National), Swamp Dogg, Eric D. Clarke, Lisa Hannigan, Amanda Blank, Sam Amidon, Ensemble Musikfabrik, and about 20 more musical collaborators. The cast of characters are as unique as they are vast, clearly a rich quarry for the prodigious duo.
Dimensional People, initially titled new konstruktivist socialism, gives each participating guest a platform to imprint the album as whoever or whatever they want to be: a narrator, a perfect moment, a jam, an ensemble member, an abstract sound, a multiple persona, a mood, a soloist. Originally premiering as a spatial composition using object-based mixing technology playing with the possibilities of sonic design and collective musicianship, the recording expands upon these ideas. Dimensional People expresses itself as a dynamic 50-piece orchestra, telling a story in sound. Each player is a multifaceted character, the recording an imagined stage, and the production is direction, lighting, and setting changes. Mouse on Mars offer sound as a means to encourage open-minded societies, aided by cutting-edge technology including their own MoMinstruments music software or a spatial mixing technique called object based mixing, with which a spatial version of the work was created. It is a conceptual puzzle composed around one harmonic spectrum within one rhythmic scheme, mostly in the tempo of 145bpm (inspired by Chicago footwork, so the dance floor is not entirely absent). Looking ahead, Dimensional People will also be realized through installation, presenting the work as an immersive listening experience, as well as performance.”
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