Важно:
- Все запросы и просьбы на перезалив пишем в специально отведённой для этого теме!
- Рекомендуемые сервисы для обмена файлами: Google Диск, Dropbox
- Нерекомендуемые сервисы для обмена файлами: MEGA (отмирание файлов и невозможность их скачивания, блокировка аккаунтов), Яндекс.Диск (заблокирован в Украине с 15.05.2017), Облако Mail.Ru (заблокирован в Украине с 15.05.2017), pCloud (временно приостанавливает возможность скачивания файла при определённом количестве уже скачивающих и недавно скачавших его)
- Если происходят трудности со скачиванием из облачного сервиса MEGA - попробуйте воспользоваться методом, описанным здесь.
- Если рип потрековый, то следует заархивировать папку с файлами. Отдельные ссылки на каждый трек постить нежелательно.
- Большие фото следует выкладывать в виде превью со ссылкой на оригинал.
Новинки:
- Ссылки на альбом "No Tourists" (2018)
- 2020.07.01: Baby's Got A Temper (Director's Cut версия клипа)
- 2020.06.21: MTV Videography: The Prodigy (2005) (перезалив древнего WMV-файла)
- 2020.06.15: Музыкальное чтиво MTV Россия: Smack My Bitch Up (new) / Serial Thrilla (MPG, не полностью)
- 2020.05.25: Live @ Xmas Party, Astoria Club, London, UK (18.12.1991) (аудио - перецифровка (?))
- 2020.05.15: Live @ Phoenix Festival, Main Stage, Warwickshire, UK (18.07.1996) (ремастер видео)
- 2020.05.01: Avex Trax Edits
- 2020.04.26: Keith Flint - The Lollies (оф.релиз)
- 2020.04.19: Live @ Knebworth Park, Stevenage, UK (10.08.1996) (видео)
- 2020.04.19: Live @ La Halle Tony Garnier, Lyon, France (16.04.2015) (аудио - ремастер)
- 2020.04.18: Live @ Feile Festival, Semple Stadium, Thurles, Ireland (30.07.1994) (видео - источник #2)
- 2020.04.15: Live @ Pepsi Music Festival, Buenos Aires, Argentina (30.10.2009): полный гиг (видео)
- 2020.03.31: Live @ The Mayan Theatre, Los Angeles, USA (28.05.1997): FLAC
- 2020.03.08: Poison (95 EQ: Arcade Edit) / V.A. - "Techno Trance"
- 2020.02.05: Live @ Trusts Arena, Auckland, New Zealand (05.02.2019)
- 2019.12.24: Memphis Bells 5.1 Surround Mixes
- 2019.12.14: Fight Fire With Fire / Champions Of London (Single) (2019) - FLAC 24/96
- 2019.11.27: The Prodigy - �?нтервью в Лондоне 1997 года
- 2019.08.15: The Prodigy vs. Princess Superstar - Jesus Christ I'm Nice
- 2019.04.23: The Party Zone Massive - XL Recordings The 3rd Chapter Mix (Part 2) (источник #2)
| |
|
|
|
|
|
Автор
|
Тема: Библиотека печатных изданий - сканы журналов, книг, открыток и фотографий (Просмотрено 100181 раз)
|
|
|
"S"
|
|
Библиотека печатных изданий - сканы журналов, книг, открыток и фотографий
Ответ #34 11 мая 2010, 12:22:11
|
Процитировать
|
6020 Magazine, Austrian, December 2009:
On V Magazine, English, Winter 2009:
DJ Magazine, American, March 2009:
Arena, Dutch 19.06.2009:
Reverb Magazine, Australian, April 2010:
NME, English 24.04.2010:
One Small Seed Magazine, South African 2010:
Invisible Magazine, Italian, April 2010:
Citta E Regione, Italian 09.04.2010:
Style And The Family Tunes, German, April 2010:
Copia Omaggio, Italian 15.04.2010:
Hiro Magazine, Polish, May 2010:
Media Production, United Arab Emirates, March - April 2010:
RCKSTR Magazine, Swiss, February 2010:
Архивом: http://rghost.ru/1588289
|
|
|
|
AVPR
|
|
Библиотека печатных изданий - сканы журналов, книг, открыток и фотографий
Ответ #35 11 мая 2010, 16:30:05
|
Процитировать
|
MFTJG Japanese promo ad
|
|
|
|
Keeti Palmer
|
|
Библиотека печатных изданий - сканы журналов, книг, открыток и фотографий
Ответ #36 20 мая 2010, 14:58:17
|
Процитировать
|
Вырезки с Польского Журнала Pop & Life 1996-1998
Poland - Pop & Life Magazine 1996
Poland - Pop & Life Magazine 1997
Poland - Pop & Life Magazine 1998
Архив - http://rghost.ru/1666332
|
|
|
|
Keeti Palmer
|
|
Библиотека печатных изданий - сканы журналов, книг, открыток и фотографий
Ответ #37 21 мая 2010, 03:33:14
|
Процитировать
|
Вырезки с Немецкого Журнала Bravo 1994-1998 и Unknown 1996-2009
Germany - Bravo Magazine October 1994
Germany - Bravo Magazine 1995
Germany - Bravo Magazine 1996
Germany - Bravo Magazine 1997
Germany - Bravo Magazine 1998
Germany - Unknown 1996
Germany - Unknown 2009
Архив - http://rghost.ru/1673104
|
|
|
|
|
Keeti Palmer
|
|
Библиотека печатных изданий - сканы журналов, книг, открыток и фотографий
Ответ #39 22 мая 2010, 03:00:02
|
Процитировать
|
Вырезки с Русского Журнала Сool и Cool Girl 1996-1999
Russian - Cool 1996
Russian - Cool Girl 1996
Russian - Cool 1997
Russian - Cool 1997
Russian - Cool April 1999
Архив - http://rghost.ru/1680938
|
|
|
|
Keeti Palmer
|
|
Библиотека печатных изданий - сканы журналов, книг, открыток и фотографий
Ответ #40 14 августа 2010, 16:01:01
|
Процитировать
|
Germany - Kultur 08.06.2009
Вырезки с Русского Журнала Сool и Cool Girl 1996-2003
Дневник 2000-2001
Poland Pop Life 1996
Germany Bravo 1996-1997
СD - Music History
Архив - http://rghost.ru/2342876
|
|
|
|
|
ArsSpb
|
|
Библиотека печатных изданий - сканы журналов, книг, открыток и фотографий
Ответ #42 03 октября 2010, 14:24:30
|
Процитировать
|
(Russian) MK v Pitere, 30 sept 2009
может боян, хз)
одна из самых бредовых статей:
|
|
|
|
|
Anzipex
|
|
Библиотека печатных изданий - сканы журналов, книг, открыток и фотографий
Ответ #44 30 ноября 2010, 17:43:19
|
Процитировать
|
NME - November 2010:
|
|
|
|
|
ch.a.sh
|
|
Библиотека печатных изданий - сканы журналов, книг, открыток и фотографий
Ответ #46 25 января 2011, 22:03:02
|
Процитировать
|
Такие журналы не проскакивали в хорошем качестве? или хотя бы фото в темном виде которые
|
|
|
|
AVPR
|
|
Библиотека печатных изданий - сканы журналов, книг, открыток и фотографий
Ответ #47 01 февраля 2011, 19:54:40
|
Процитировать
|
Japanese Ads, 1997 magazine cover + press review
|
|
|
|
..S3
|
|
Библиотека печатных изданий - сканы журналов, книг, открыток и фотографий
Ответ #48 03 февраля 2011, 11:45:52
|
Процитировать
|
Liam
Scratch today's dance superstars and you'll find an old b-boy underneath. Here, the Prodigy's Liam
Howlett tells how breaking changed his life and gives his personal view on 1998's old skool revival
Writer: Martin James
Scratch today's dance superstars, and you'll more than likely find an old b-boy underneath. The
reasons are simple. If you're in your twenties or thirties, hip hop was probably the first music you
heard that valued technology, skills and having a decent record collection over musicianship. If that
sounds familiar, it's because exactly the same values power today's house, trip hop and jungle
scenes. Which is why, when you talk to anyone from Mickey Finn to Massive Attack, they recite their
old skool past with such reverence: discovering hip hop in the mid-80s tended to be a life-changing
experience.
When techno hero Dave Clarke described hearing electro for the first time,
he called it "the music I'd waited all my life to hear." Talking to Mixmag earlier
this year, Massive Attack's Mushroom said that hip hop was "the most
diverse music I'd ever heard": at 15, he claimed, "It was just a case of what
side of [hip hop] culture I was going to apply myself to. A bit of spraying? A
bit of breaking or DJing?" And in the drum n' bass scene, you can't move for
ex-breakers and former graf writers. DJ Hype, Goldie, Urban Takeover: "It's the breakbeat," says
Mickey Finn, "it comes from hip hop. Hip hop was a street sound, it's about reality, and so is drum n'
bass".
Maybe the most famous old b-boy of all is the Prodigy's Liam Howlett. He began his musical career
as a DJ with Brit hip hoppers Cut To Kill, and throughout the Prodigy's stellar ascent, he's made a
string of references to his past - remixing Method Man, sampling Ultramagnetic MCs' Kool Keith on
'Out Of Space', then collaborating with the real live Keith (in his Dr Octagon guise) on 'Diesel Power'.
He took breakdancers on the last Prodigy tour as support act. And last year, he slated house DJs for
their lack of "hip hop talent". So what does he make of old skool hip hop's influence on the UK's
house dancefloors in 1998? Over to you, Liam...
"GRANDMASTER Flash's 'Adventures On The Wheels Of Steel' was the first record that really
grabbed me. It was through that I got into the whole hip hop vibe. I loved the fact that all you needed
was a set of decks, you didn't need guitars or any of that stuff. My mate's brother was a DJ and he
had these decks and I would just sit in his room listening to these tunes. At that time, the film Beat
Street was big and breakdancing was the thing and me and my mates got completely into breaking.
We used to travel around to shopping malls to 'battle' with other crews. So it was like, going from
listening to records in this room to realising the whole thing about hip hop wasn't just the music: it
was the culture as well. It seemed really touchable. It was from the street and once you were into it,
you were obsessed by it all.
Liam
"Gradually I lost interest in breaking. I really got into the whole graffiti thing and used to go around
Essex writing pieces with my mates. Then I bought some decks and started to buy loads of records,
basically I spent about a year and a half learning how to mix and scratch and stuff. Eventually I got
involved with this local hip hop crew called Cut to Kill.
I was good, and even though they already had a DJ I just felt that they needed me. Around that time
I sent in this mix tape to a radio show. I was always listening to the Mike Allen hip hop show
(London's first rap radio show on Capital back in the mid '80s), every weekend. He used to have a
mix competition. Basically I entered one mix and thought yeah it's good, and about a week later I
thought I can do better so I entered something else under a different name. I came first and third!
"I suppose I've been down with the whole breaking scene since then. That's why
we decided to use breakdancers on tour with us last year. Not because we wanted
to seem old skool, because I think that would be wrong, but as a mark of respect to
these crews who are happening around the country. Those people we used were
my mates: Evo, Tuff Tim and their friends. I reckon they're the best breakers in the
country.
"It really annoys me all of this return to the old skool thing; people don't understand
that just because you use a break or stick some breaking in the video doesn't
make you old skool. Being a b-boy is an attitude, it's a way of life. I always laugh at these girls in their
old skool trainers and fat laces that they've copied from fashion mags - they look pathetic. The thing
is you've got to earn your fat laces and buckle belts. The mainstream don't understand that being a
b-boy means knowing all about your roots, or you simply don't get the respect. And putting a crap
house beat to an old skool track doesn't make you old skool, just stupid.
It just annoys me when people use breaking in their videos for extra cred. We thought about using
them for the 'Smack My Bitch Up' video, but didn't in the end because we didn't want to disrespect
the real underground scene. "In 1998 I reckon there's only one group left who are truly old skool and
that's the Beastie Boys. To me they supply the world with dopeness, simple as that. And while
they're around you don't need no revival, you've got the real thing."
Liam
1555 Slave ships leave West Africa for the New World. Among them are 'griots', storytellers - the
men at the very root of rap.
1920s The Mississippi blues boom spawns Butterbeans And Susie, whose 'Switchboard Mama'
drops manic nursery style rhymes over blues.
1930s/1940s Afro-Americans seek work in Northern American cities as the Depression worsens.
Black music becomes rooted in inner city culture.
1963 Cassius Clay, renowned for bragging rhymes, is renamed Muhammad Ali after conversion to
the Nation Of Islam.
1969 James Brown makes 'Funky Drummer'. Its beats become a hip hop standard. Meanwhile,
James Brown's energetic "Good Foot" dance inspires a generation of street dancers.
1970 LA black radicals The Last Poets release their first album, with gritty vocals which anticipate
rap, with stark jazz accompaniment.
1973 A Bronx-based Jamaican, Clive Campbell, DJs at his sister's birthday party. As Kool DJ Herc,
he spins two copies of the same record on his twin decks, switching between each record's 'break' to
create a 'break beat'. Herc calls the kids dancing to it 'break dancers'.
1974 Graffiti art grips New York. Pioneers Taki 183 and Futura 2000 are given legitimacy by
mainstream artists like Keith Haring.
1977 Kraftwerk release 'Trans Europe Express', which blows up at US block
parties (open air street jams), providing a template for electro.
1978 Kool DJ Herc and DJ Grandmaster Flash invite Masters Of Ceremonies -
MCs - to chat slang over their breakbeats to coax party-goers into dancing.
1979 New Jersey's Sugarhill Records release hip hop's first chart success, the
Sugarhill Gang's 'Rapper's Delight'. It secures the genre's identity with its opening line "A hip, hop,
the hi-be, the hi-be, the hip hop you don't stop...".
1981 Blondie release 'Rapture' where Debbie Harry name-checks rapper/graf writer Fab 5 Freddy.
Blondie guitarist Chris Stein later co-writes music for seminal hip hop movie Wildstyle.
Liam
1982 Grandmaster Flash and The Furious Five release 'The Message', a pessimistic view of inner
city life. Former Sex Pistols manager Malcolm McLaren reaches number nine in the UK with 'Buffalo
Gals', a paean to breaking.
1983 Afrika Bambaataa & The Soul Sonic Force release 'Planet Rock', selling over half a million
worldwide. The definitive hip hop flick, Wildstyle, features, among others, Fab 5 Freddy, Grandmaster
Flash and top breaking posse Rock Steady Crew. Rock Steady take cameos in the faintly tragic
Flashdance. Run DMC release 'Sucker MCs' and introduce sportswear and street slang to a wider
audience.
1984 White student Rick Rubin meets Bronx DJ Jazzy Jay. They release 'It's Yours' by Jay and T La
Rock on their own label, Def Jam. Rubin meets rap entrepreneur Russell Simmons and 15-year-old
rapper Ladies Love Cool James. They release LL Cool J's 'I Need A Beat'.
1985 MC 'battles' reach their peak. South Bronx's KRS-One, annoyed by MC Shan's 'The Bridge'
(which suggests rap's birthplace was New York's Queensbridge Projects) answers with 'South
Bronx'. A war of words ensues between KRS's Boogie Down Productions and Shan's Juice Crew.
BDP's Scott La Rock becomes hip hop's first major casualty, shot dead in 1987, attempting to stop
an argument.
1986 MTV puts the video for Aerosmith and Run DMC's 'Walk This Way' on rotation. Run DMC's
Kangol hats, thick gold chains, Cazal eyewear and laceless Adidas Superstars define hip hop style.
Philadelphia's Schoolly D's self-released debut offers a drug-dealer's perspective: money is all that
matters.
1987 Public Enemy release 'Yo! Bum Rush The Show'. Their political rhymes and production by The
Bomb Squad make them, unofficially, The Greatest Rap Group Of All Time. It's also the year of Eric
B and Rakim's 'Paid In Full'.
1988 LA's Niggers With Attitude release 'Straight Outta Compton', inventing 'gangsta rap' and
shifting rap's axis to the West Coast.
1989-1990 2 Live Crew's 'Nasty As They Wanna Be' is the first album in US history to be declared
legally obscene, a decision overturned in 1993. De La Soul's flowery covers and quirky rhymes
introduce the 'Daisy Age', turning white middle class kids onto hip hop.
1991-1992 Los Angeles police's beating of Rodney King leads to anti-police records, notably Ice
Cube's 'The Predator'. Ice-T's rock band Body Count have the track 'Cop Killer' removed from their
album and are dropped by Warners.
1993-1994 Former NWA member Dr Dre drops 'The Chronic', inventing the smooth G-funk style.
Snoop Doggy Dogg's 'Doggy Style' becomes one of rap's biggest-sellers: Snoop is on a charge of
attempted murder. He is later aquitted.
1995-1996 On September 13th, 1996, rapper Tupac Shakur dies of injuries after being shot in a
Las Vegas drive-by. Tupac, the protagonist in a feud between the East and West Coast rap scenes,
was being driven by Death Row label boss Marion 'Suge' Knight.
1997-1998 Brooklyn's Notorious BIG is shot dead as he leaves LA's Soul Train Awards. Rumours
abound it's part of the East-West dispute. Independent hip hop rises as a reaction to the pop of
Puffy Combs and Jay-Z. Suge Knight gets eight years for violating probation on an assault charge.
Snoop leaves Death Row. Hip hop still hasn't lost its potential to make headlines...
..это как я понял отрывок из книги Мартина Джеймса
есть ли у кого эта книга в эл. виде ..здест только сканы фотографий нашел
http://www.uic.unn.ru/~udr/dirtchambersessions.htm
..здесь рассказы про Dirtchamber Sessions 1,2 и ))) 3 .. пока не понял откуда, наверно тоже с этой книги ..хз
|
|
|
|
ProZet
|
|
Библиотека печатных изданий - сканы журналов, книг, открыток и фотографий
Ответ #49 14 марта 2011, 11:56:31
|
Процитировать
|
Kerrang Magazine, August 2009
Select Magazine 90s covers and other scans:
June 1994:
January 1995 (Cover):
January 1996 (Cover):
January 1997 (Cover):
January 1999:
Firestarter - Single of the year (Select Magazine)1996:
Select Magazine (1996)
http://rghost.ru/4763552
|
|
|
|
Anzipex
|
|
Библиотека печатных изданий - сканы журналов, книг, открыток и фотографий
Ответ #50 10 апреля 2011, 12:55:36
|
Процитировать
|
1997 - The Fat Of The Land (Avex Trax) Poster
|
|
|
|
Показать последних комментариев к сообщениям в теме
|
|